Ben Kingsley and Company on Learning to Drive

“The ferryman takes you from one bank of the river in his little craft, his boat, to the other bank of the river,” says Sir Ben Kingsley on this variety of the taxi-passenger experience. “You get off his boat and feel that your molecules have somehow been rearranged. You’ve learned something, something’s happened, there’s been a transition, though you might not be quite sure what it is.”

Pete Donnelly, The TVD Interview

Pete Donnelly’s musical resume is pretty damn impressive. He’s the bass player firmly associated with legendary rock band NRBQ. He’s the singer-songwriter with several solo releases to his name. He’s the co-writer of “I Can’t Imagine,” the title track of Shelby Lynne’s recently released album. And of course, he’s the founding member of phenomenal rock band The Figgs, having worked with The Replacements’ Tommy Stinson, as well as the great Graham Parker.

Time Pieces – New Classics: An Interview with Bassist Kyle Eastwood

Kyle Eastwood is an assiduous musician. He is a jazz bassist, a composer and a film scorer, frequently collaborating with his Academy-Award winning father Clint on his films’ music. He consistently tours all over the world, performing standards and originals from his seven albums, the most recent being Time Pieces, an appealing and accessible yet highly intelligent musical work. 

Live at the Jazz Standard, NYC: The Donny McCaslin Group (Wednesday 4/8 Early Set)

At one point during Wednesday night’s first set at the Jazz Standard, in which the Donny McCaslin Group performed, tenor saxophonist McCaslin referred to the group’s recent experiences as “a celebration.” The Group has released a new album entitled Fast Future; the group has released a new album that might as well be entitled Most Incredibly New, Most Groundbreaking, Pretty Brilliant Work of 2015, So Far. 

Top Four Working Jazz Guitarists of 2015

The closing track on Donald Fagen’s 2012 solo album Sunken Condos is a gem called “Planet D’Rhonda.” It tells the story of a crazy-thus-attractive chick named Rhonda who the narrator is fascinated by; the most fascinating element of the track however, is Kurt Rosenwinkel’s guitar solo.